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AKAI EWI USB AND CUBASE SOFTWARE
The instrument bank and the sounds that comes with the default software are doing the job but they could be better. You can also use any device recognized as an "audio output" by Windows. You will need an amplifier that can accept an audio jack input if you want something louder. Otherwise the sound comes from whatever speakers you have plugged into the computer.
AKAI EWI USB AND CUBASE WINDOWS
It's easy to setup in Windows and you indeed just need to plug in headphones to the computer. I would want to play through a standard windows laptop running whatever software would work well with the instrument. It's Aria Player with sounds from Garritan.
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The EWI USB comes with its own software by default. Is there a good way to get away from the stock sounds and find something more unique that doesn't try to emulate typical instruments? Thank you so much for reading and for your input!Įdit: Bonus question: What does the sound library look like? I read that you could apply almost any sound via other programs. Would the USB be a good candidate for that type of usage? If so, what will I need in terms of software to fit my needs? I'm looking for something that I can play without disturbing other people around me (plug into laptop and use headphones?) and something I could use to sit down and jam with some friends (typical rock instrumentation, so projection is preferred. I know next to nothing about software, so any tips regarding that would be a huge help. Some background: I'm a woodwind player so I am familiar with the sound production and fingerings of the EWI. It seems the possibilities are quite endless.I'm very curious about the Akai EWI USB and wanted to get some more info on it before considering purchasing one. Thus, the CD explores the wind synthesizer, the EVI, and its possibilities in the midst of various playing environments. A variety of technologies were used in the various tunes, from Garritan Personal Orchestra, to manipulating sound files in Steinberg's Wavelab.
AKAI EWI USB AND CUBASE FULL
The songs on the CD represent a wide variety of ensembles, from harpsichord and bassoon or 'cello, to piano, to chamber orchestra, brass quintet, jazz solo with rhythm to full jazz band. In other cases, non- emulative synthesized sounds are featured not attempting to duplicate an acoustic instrument. It includes Classical solos written for these instruments played by the best sounds available to us. This CD on the next page grew out of the idea to play various known instrument sounds, called emulation. Play any sound you want in any group you want - of various sizes, in various styles. What's it like to play tenor sax in a jazz band? Or lead trumpet? How about soloing with strings and an orchestra? Or just playing the solo sound of another instrument with piano accompaniment? It's all possible and incredible to experience. If playing various sounds is desirable, then playing in a variety of musical ensembles via technology is ideal. And playing a variety of instrumental sounds a musician enjoys from one instrument is a reality.
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In the early days, there was serious time spent in sound editing, but 20 years later, excellent sounds are easily purchased (see Patchman Music). Could the EVI produce a credible clarinet sound? How about trumpet, flugelhorn, tuba, or trombone? As we pursued music based on our orchestral background and experience, there were many questions. It was love at first sight and we soon bought an EVI and began applying our instrumental experience in a whole new, electronic way. At that time, digital synthesizer technology was relatively new, but the ability to play various sounds using one technique on a single instrument was well demonstrated by Nyle, a master on the instrument, who was making his living playing the EVI in the studios of L.A. When we heard an Electronic Valve Instrument (EVI) for the first time in 1987, it was played by inventor Nyle Steiner.